
Edward Burne-Jones, Angel in the Wave
Photo courtesy of Caroline True (All rights reserved)
Details
- Country House
- Mells Manor
- Title(s)
- Angel in the Wave
- Date
- ? c.mid-1890s
- Medium and support
- Fresco secco
- Dimensions
- Overall height: 101 cm, Overall width: 78 cm
- Artist
- Edward Burne-Jones (1833-1898)
- Catalogue Number
- MM76
Footnotes
-
Angela Thirkell, Three Houses, Oxford: Oxford University Press, 1950, 6th impression, pp. 59–60.
1 -
Ibid.
2 -
Frances Horner, ‘Concerning Mells Manor House and its Contents’, bound typescript, n.p., Mells Manor Archive, D/08/0627. Although the typescript is undated, it must have been composed some time during the 1930s since Lady Horner (1885–1940) mentions that in 1931 the south window in the Book Room had been lowered.
3
Related catalogue items from Mells Manor
-
Mells Manor
Henry Benedict Stuart, Cardinal York (1725–1807)
studio of Louis Gabriel Blanchet, ? c.late 1740s
-
Mells Manor
The Presentation of Christ in the Temple
Jacopo Bellini and Workshop?
-
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The Virgin and Child with the Young St John the Baptist between SS Francis and ? Joseph
circle of Filippino Lippi
Description
In the 1880s, Edward Burne-Jones and his wife, Georgiana, bought two neighbouring properties in the coastal village of Rottingdean, West Sussex. They employed the architect William Benson to refurbish the properties and join them together to form one house, which they renamed North End House, after their west London residence. There, they spent holidays and weekends entertaining their children and grandchildren. Among the grandchildren was Edward Burne-Jones’s favourite, Angela, born in 1890, who was in later life recognised in her own right as the novelist Angela Thirkell. As she later recalled, Burne-Jones painted the figure of the angel into the wall of the attic, where the children slept:
In 1920 North End House was purchased by the artist William Nicholson, who lived there for three years. As Thirkell recalled, Nicholson ‘removed the angel piecemeal from the wall and gave the fragments to Frances Horner . . . She had the angel mended and framed and now it looks down on her home in Somerset where the artist would like it to be’.2 Frances, herself, also mentioned the picture in an account she wrote, probably in the 1930s, of the contents of Mells, at which time it hung in her bedroom: ‘the frescoe [sic] over the bed head was painted by Sir E. Burne Jones on the walls of his nursery at Rottingdean, removed from there and given to Lady Horner by Mr. W. Nicholson’.3
Nicholson, a friend of Frances (1854–1940), also painted a number of pictures of Mells (MM85, MM86), as well as designing the stained-glass window in memory of her husband, Sir John Horner (1842–1927), in the parish church of St Andrew.