
Peter Lely, Cimon and Iphigenia
Photo courtesy of Dave Penman (All rights reserved)
Details
- Country House
- Doddington Hall
- Title(s)
- Cimon and Iphigenia
- Date
- c.1648–52
- Location
- Brown Parlour
- Medium and support
- Oil on canvas
- Dimensions
- Overall height: 128 cm, Overall width: 145 cm
- Artist
- Peter Lely (1618-1680)
- Catalogue Number
- DN28
Bibliography
R.E.G. Cole, History of Doddington, otherwise Doddington-Pigot, in the County of Lincoln, and its successive owners, with pedigrees, Lincoln : James Williamson, 1897, p. 225
Peter Lely: A Lyrical Vision, ed. Caroline Campbell, London : The Courtauld Gallery, 2012, pp. 132–5, no. 11
Matthew C. Hunter, Wicked Intelligence: Visual Art and the Science of Experiment in Restoration London, University of Chicago Press, 2013, pp. 106–7, pl. 4
Esther van der Hoorn and Morgan Wylder, 'A Historical and Technical Investigation of Sir Peter Lely’s Cimon and Efigenia from the Collection at Doddington Hall', 2013
Description
The picture is one of several similar pastoral compositions by Lely featuring nymphs and shepherds, notably Nymphs by a Fountain at Dulwich Picture Gallery1 and another version of Cimon and Iphigenia at Knole, in Kent.2 In the present picture the pose of the semi-draped recumbent nymph facing the viewer is adapted from a similar figure in Van Dyck’s Cupid and Psyche in the Royal Collection Trust.3 The painting was acquired by Edward Delaval, and hung at his house in Parliament Place, Westminster, before being transferred to Doddington either under his period of ownership (1808–14), or following the death of his widow in 1829. The earlier provenance of the picture is unknown. It may have been the picture in Lely’s studio sale of 1680 described as The History of Cimon with Naked Figures (lot 83), although this may have been the picture of the same subject now at Knole.
Sir Oliver Millar, who viewed the picture at Doddington in 1952, commented at some length in his notebook: